@inbook{IRSIC_1269,
    author = {LETHURGEZ, F.},
    title = {Les m\'etaphores dans les notes de pr\'esentation des œuvres contemporaines : un outil de communication avec les publics ?},
    year = {2015},
    booktitle = {M\'etaphore et musique},
    editor = {I. Taillandier-Guittard},
    publisher = {Presses universitaires de Rennes},
    x-publicationlocation = {Rennes, France},
    pages = {77-102},
    abstract = {},
    keywords = {},
    x-audience = {Non sp\'ecifi\'ee},
    x-popularlevel = {Non},
    x-publisherlink = {http://www.pur-editions.fr/detail.php?idOuv=3911},
    x-language = {},
}

@article{IRSIC_1268,
    author = {LETHURGEZ, F.},
    title = {\'Ecrire et communiquer sur son œuvre : les notes de programme du concert de musique contemporaine},
    year = {2016},
    journal = {Comparatismes en Sorbonne},
    volume = {5},
    abstract = {},
    keywords = {},
    x-audience = {Nationale},
    x-peerreviewing = {Oui},
    x-popularlevel = {Non},
    x-publisherlink = {http://www.crlc.paris-sorbonne.fr/pdf_revue/revue5/9_LETHURGEZ.pdf},
    x-language = {},
}

@inproceedings{IRSIC_1272,
    author = {LETHURGEZ, F.},
    title = {La critique de la musique et de la danse contemporaines ou l'institution silencieuse},
    year = {2015},
    booktitle = {Th\'eories et conceptions de la critique musicale au 20e si\`ecle, compar\'ees aux pratiques critiques des autres arts, Colloque international et interdisciplinaire},
    x-conferencestartdate = {2015-10-01},
    x-conferenceenddate = {2015-10-02},
    address = {Bruxelles, Belgique},
    x-conferenceorganizer = {Universit\'e Libre de Bruxelles, Campus du Solbosch},
    abstract = {},
    keywords = {},
    x-audience = {Internationale},
    x-invitedcommunication = {Non},
    x-peerreviewing = {Oui},
    x-proceedings = {Oui},
    x-popularlevel = {Non},
    x-publisherlink = {http://www.cellam.fr/?colloque=theories-et-conceptions-de-la-critique-musicale-au-xxe-siecle-comparees-aux-pratiques-critiques-des-autres-arts},
    x-language = {},
}

@inproceedings{IRSIC_1274,
    author = {LETHURGEZ, F.},
    title = {Word on word :
Interviews with electroacoustic music composers 
on the written presentation of their Works},
    year = {2015},
    booktitle = {EMS15 (Electroacoustic studies network), The Art of Electroacoustic Music},
    x-conferencestartdate = {2015-06-23},
    x-conferenceenddate = {2015-06-26},
    address = {Sheffield, Royaume-Uni},
    x-conferenceorganizer = {University of Sheffield},
    abstract = {},
    keywords = {},
    x-audience = {Internationale},
    x-invitedcommunication = {Non},
    x-peerreviewing = {Oui},
    x-proceedings = {Oui},
    x-popularlevel = {Non},
    x-language = {},
}

@inproceedings{IRSIC_1273,
    author = {LETHURGEZ, F},
    title = {Read music at the concert : program notes of electroacoustic music composers},
    year = {2014},
    booktitle = {EMS14 (Electroacoustic studies network), Electroacoustic Music Beyond Concert Performance},
    x-conferencestartdate = {2014-06-10},
    x-conferenceenddate = {2014-06-14},
    address = {Berlin, Allemagne},
    x-conferenceorganizer = {Universit\"at der K\"unste},
    abstract = {},
    keywords = {},
    x-audience = {Internationale},
    x-invitedcommunication = {Non},
    x-peerreviewing = {Oui},
    x-proceedings = {Oui},
    x-popularlevel = {Non},
    x-publisherlink = {pdf_EMS14_lethurgez.pdf},
    x-language = {},
}

@inproceedings{IRSIC_1271,
    author = {LETHURGEZ, F.},
    title = {Le livre sur le disque : Richard Millet, Pierre Gervasoni et la musique contemporaine},
    year = {2015},
    booktitle = {Le technicien et l'\'ecrivain. Questionner la l\'egitimit\'e des figures de la critique musicale du 20e si\`ecle \`a nos jours},
    x-conferencestartdate = {2015-01-22},
    x-conferenceenddate = {2015-01-15},
    address = {Paris, France},
    x-conferenceorganizer = {Universit\'e Paris-Sorbonne},
    abstract = {},
    keywords = {},
    x-audience = {Nationale},
    x-invitedcommunication = {Non},
    x-peerreviewing = {Oui},
    x-proceedings = {Oui},
    x-popularlevel = {Non},
    x-publisherlink = {http://www.cellam.fr/?journee=journee-detude-le-technicien-et-lecrivain-questionner-la-legitimite-des-figures-de-la-critique-musicale-du-xxe-siecle-a-nos-jours},
    x-language = {},
}

@inproceedings{IRSIC_1270,
    author = {LETHURGEZ, F.},
    title = {La r\'eception de Claude Debussy au 20e si\`ecle \`a travers le prisme de la critique comm\'emorative},
    year = {2014},
    booktitle = {Genres et formes de la critique musicale au XXe si\`ecle. Explorations po\'etiques, historiques et analytiques},
    x-conferencestartdate = {2014-11-06},
    x-conferenceenddate = {2014-11-07},
    address = {Besan\c con, France},
    x-conferenceorganizer = {Universit\'e de Besan\c con},
    abstract = {},
    keywords = {},
    x-audience = {Nationale},
    x-invitedcommunication = {Non},
    x-peerreviewing = {Oui},
    x-proceedings = {Oui},
    x-popularlevel = {Non},
    x-language = {},
}